Go Ape :: Unplug and connect to nature through aerial obstacles and zip line adventure!

The folks at Go Ape reached out to me to see if I might be interested in experiencing and reviewing their newest course in New Britain. I, of course,  jumped at the chance!

Go Ape  is an amazing outdoor Treetop Adventure Course providing participants with about 3 hours of outdoor fun and exercise.  The result is spectacular. We were able to explore the park from an otherwise unobtainable vantage point as we navigated our way through the treetops using zip lines, obstacles and tarzan swings.

What resulted was perhaps one of the most amazing experiences I've had in a very long time.

Go Ape Review. The Entertaining House. All images shot with iPhone 6. Me in my harness preparing for our Go Ape Adventure and training Session. 

Go Ape Review. The Entertaining House. All images shot with iPhone 6. Me in my harness preparing for our Go Ape Adventure and training Session. 

I'd like to think I'm pretty adventurous. I'd like to think I'm physically fit and strong. I'd like to think I'm up for challenges and adventures. I definitely like to step outside my comfort zone as I believe that's where the best things happen. And so here I was about to step as far out of my comfort zone as I've ever gone, though I didn't know it at the time!

We arrived to find a temporary trailer set up with the Go Ape Offices at Stanley Park in New Britain. There I was given a load of paperwork to read and disclosures to sign. I had to be made aware that our activities were dangerous and even potentially fatal! I signed my life away. I signed my children's life away. How much of a risk taker am I? I was beginning to think I should turn around. But my youngest was super excited. We arrived late because despite my car's navigation I still managed to miss an exit. We had to wait for the next group. 

You participate in a group so that your guide can go over a comprehensive training once, for everyone. Paying attention is critical. 

Go Ape Review. The Entertaining House. All images shot with iPhone 6Above, Javier, our guide discusses the importance of safety and gives us a demo. 

Go Ape Review. The Entertaining House. All images shot with iPhone 6Above, Javier, our guide discusses the importance of safety and gives us a demo. 

When our group was all present we were harnessed up then participated in a thorough 30 minute safety briefing and training.  As we went through our training I worried that I might forget a crucial step, but as you gain experience and go through the motions it becomes second nature. And the higher you go, the more in-tune to your safety you are. I was worried about having to be responsible for the harnesses for my 15 and 10 year olds. I was less concerned with my safety than theirs - every time we climbed a new tree, crossed a new rope course, crawled, jumped or zipped we had to double-check that every clasp was properly shut. Again, this soon became second nature. 

Go Ape Review. The Entertaining House. All images shot with iPhone 6. Javier chooses Christopher to help.

Go Ape Review. The Entertaining House. All images shot with iPhone 6. Javier chooses Christopher to help.

After we learned and practiced the proper way to harness ourselves, we had a few trial runs on low level platforms - where we got to try out  tightrope walking, zip-lining, climbing and free falling into the spider web-like net. Level 1 didn't seem so bad. It was in fact, a breeze!

Go Ape Review. The Entertaining House. All images shot with iPhone 6. Christopher on the Level 1 zip line.

Go Ape Review. The Entertaining House. All images shot with iPhone 6. Christopher on the Level 1 zip line.

After our practice run my little one pulled me over. He wasn't feeling so well. His stomach hurt - his harness was awfully tight. He looked positively ghostly. We sat him down and gave him some water and took off his harness. He was still clammy after a few minutes of rest and hydration. As soon as one of the guides caught wind that Alexander wasn't feeling well he rushed over with some Gatorade, thinking that it might do the trick. After he inhaled the bottle, rested a few more minutes his color came back and he was rearing to go! 

Go Ape Review. The Entertaining House. All images shot with iPhone 6. Alexander, 10, has just landed his Tarzan free-fall jump and climbs over to the tree as Christopher prepares his next task.

Go Ape Review. The Entertaining House. All images shot with iPhone 6. Alexander, 10, has just landed his Tarzan free-fall jump and climbs over to the tree as Christopher prepares his next task.

Above - As Alexander sailed into the net, Christopher was securing his harness to get ready for his next task. Three people are allowed on a platform and with children under 16 a parent must be on the platform with them before one can take off. (I shot this just prior to my jump, which I did with eyes closed!) Once I got to the platform Christopher was ready and able to take off. 

Go Ape Review. The Entertaining House. All images shot with iPhone 6

Go Ape Review. The Entertaining House. All images shot with iPhone 6

Each obstacle becomes slightly more challenging! I found safety on the net as I took this picture of the boys eagerly awaiting my arrival so they could zip across! 

There are 5 courses in the park each with a set of obstacles that become more and more challenging. At the base of each course is a bench to rest and catch your breath if you need it and water so that you needn't worry about carrying your own bottles. I work out very regularly and I was surprised to find myself trying to catch my breath after a few of the obstacles, many of which are as mentally challenging as they are physically. You want to say I can't do this! You want to turn back, but you can't! And therefore there's no choice but to push yourself to your limits. How often do we really do this anyhow? Not often enough if at all. 
 

Go Ape Review. The Entertaining House. All images shot with iPhone 6

Go Ape Review. The Entertaining House. All images shot with iPhone 6

With each course, the trees get higher and higher. I was amazed at my ability to hyper-focus as I concentrated on what was straight ahead of me and not below. Many of the obstacles are extremely unstable I learned to rely on my footing and how things felt underfoot so that I didn't have to worry about looking down and losing focus. Losing focus would have meant a fall. But I was harnessed. Yet, despite that fact there was something in me that simply couldn't allow myself to mess up. I was determined to make it across each task at hand. Some chose not to, and simply zip-lined across - I saw that as a cop-out and I wasn't here to cop out!

Go Ape Review. The Entertaining House. All images shot with iPhone 6

Go Ape Review. The Entertaining House. All images shot with iPhone 6

The courses with the ropes were hardest for me. Unwavering focus and upper body strength was required. Just ahead, if you look, is the twisted ladder... one of the most nerve-wracking of all. The trick, I learned, was to walk the cable. However, almost at the end my left foot slipped out from underneath and I held on for dear life! I wonder if I had forgotten that my harness was even on? 

There are no guides who travel with you and you are really on your own. This is in part, I am sure, due to the way the course is set up and the fact that only 3 people are allowed on a platform at a time. No worries though, once you get to the harder courses, there are guides below to offer encouragement and support. 

Go Ape Review. The Entertaining House. All images shot with iPhone 6

Go Ape Review. The Entertaining House. All images shot with iPhone 6

Another safety net, another photo op! I was terribly worried about dropping my phone! As you can see, more dangling moving wooden steps just beyond the rope tunnel... we were quickly approaching our 2nd zip line though! The zip line is an awesome reward for your hard work!

The Folks at GoApe want participants to know that by participating in a Go Ape adventure they are also contributing to the health, finance, and well being of the parks.  The company provides a portion of our proceeds and stewardship services back to the parks we call home. I also want to point out that no trees are harmed from any of the cables attached to the trees. If you look closely at my photos, you'll see that each tree is protected by special braces that grip the trunks. Each platform rests on these braces. The braces are also designed to expand as the trees grow. Each tree is manually inspected by independent arborist to ensure optimal health. So go ahead, hug a tree! (and as you get closer to the end, and as the platforms get smaller and smaller, you'll find yourself doing exactly that!

This wonderful concept began in the UK before it came here. Their motto is "Live Life Adventurously" and I don't think enough of us do this, at least not often enough. Go Ape offers us to challenge ourselves in a way we don't typically do. It requires strength and strategy in way we don't often combine the two. Because once you start a course and are in the trees, there's no way back down and you can't back out, therefore you cannot fail. If you think about it, it's all set up to help you succeed.

In the end you come away with an incredible sense of accomplishment - one that many of us as adults don't experience near enough. You have no choice but to push yourself, and despite all the self doubt, in the end you did it and that is one of the most rewarding experiences you could ever give yourself.

Before I got to the final zip line and made my way to the top of the very last tree 65 feet up in the air, I told myself that I was going to finish the task but I wouldn't do it again. Ever. As I stood on that tiny, narrow platform 65 feet up securing and sending off my children, all I could think of was to get down to safety. And then it was my time to fly the nest. I sat down and let my harness do its thing. I didn't close my eyes. I didn't hold on for dear life. For roughly 1/5 of a mile, over a large pond, I held out my arms and sailed into the wind - I felt like a bird flying in the breeze and it was the most sensational thing I have ever experienced. 

A day later I've noticed a few new bumps and bruises and my stomach muscles are a bit sore. As I think about the adventure I shared with my children I'm reminded of a favorite childhood story, The Little Engine that Could and how, in the end, she said to herself "I knew I could, I knew I could!" Would I go back and do it again tomorrow? In a New York Minute I would! And so would my boys.

Go Ape also proved to be an amazing bonding experience for me and my boys. I highly recommend this as a family activity as you work together to offer guidance, support and cheer each other on. It's an activity everyone can participate in together and everyone comes out with the same fulfilling experience. The course, including the training, takes about 3 hours to complete. It's a wonderful day spent reconnecting with nature - tuning out the digital world and tuning into the natural world.

Pointers, notes and comments:

  • Eat beforehand. You'll need your strength
  • Arrive a few minutes early to fill out disclaimers and paperwork
  • Use the restrooms before you get harnessed!
  • Wear sneakers
  • Wear comfortable slightly loose fitting pants or shorts
  • If you plan on bringing a phone or camera cargo shorts or pants are recommended
  • Leave sunglasses behind. You won't need them in the trees!
  • At the base of each station rest if you need to but do drink the water to stay hydrated.
  • Gloves are available for purchase but aren't necessary. My hands were sore not from the ropes but for holding on for dear life!
  • Take your time
  • Enjoy the beauty all around you
  • The course is open rain or shine with the exception of lightning and heavy winds
  • Guides are extremely informative and kind
  • Guides are stationed below some of the courses but you are on your own for the obstacles
  • When in doubt close your eyes and look straight ahead!
  • Believe in yourself!

Go Ape is located in New Britain, CT, and 14 other states. To find one near you, or suggest they build one near you, visit their

My experience was complimentary but that in no way altered or affected my experience. The cost is not inexpensive, but for a physically challenging and engaging 3 hour activity and and experience you won't forget, the value is indeed priceless. 

 

 

Yale Center for British Art :: Sunshine on a Rainy Day

You don't necessarily need to go into a big city to get the big city experience - at least not when it comes to culture, at least not when you live in Connecticut. New Haven, with great thanks to Yale University boast two incredibly impressive museums, both located directly across the street from one another. The Yale Museum of British Art, newly re-opened after a many year intense restoration project, boasts the singularly largest collection of British Art outside of the United Kingdom. 

Unlike most world-class museum, the Center is free and open to the public. Now, who says the best things in life aren't free?!

 The Yale Museum of British Art. The galleries are open and airy. Cut out interior windows allow visitors to catch a glimpse into what lies ahead.

 The Yale Museum of British Art. The galleries are open and airy. Cut out interior windows allow visitors to catch a glimpse into what lies ahead.

To say the museum is impressive almost seems unjust. While I would never claim to be an authority on museums, having been to many of the world's most famous museums, I was was completely blown away by the breadth and size and the sheer number of artists represented. 

Having lived in and studied Art History in England, I had been wanting to visit since I heard of its opening recently. I met my parents in New Haven earlier this week to celebrate my Birthday. They were as eager as I was to pay a visit to the newly re-opened museum.  

 The Yale Museum of British Art. The upper level is vasty and airy, modern in structure which seems almost paradoxical to some of the heavy period pieces. 

 The Yale Museum of British Art. The upper level is vasty and airy, modern in structure which seems almost paradoxical to some of the heavy period pieces. 

Presented to the University by Paul Mellon (Class of 1929) the museum's collection of paintings, sculptures, prints, drawings, rare books, and manuscripts are representative of British art from the Elizabethan Era through modern times. World-renown, the center offers exhibitions and programs - lectures, concerts, films and family days. The Center first opened to the public in 1977. Designed by Louis I Kahn, the building itself is an architectural marvel. In May of 2016 the museum reopened after many years of conservation and re-imagination. 

 The Yale Museum of British Art. Looking out from one exhibit area onto another - to the left the upper part of the Kahn's famous cylindrical staircase. 

 The Yale Museum of British Art. Looking out from one exhibit area onto another - to the left the upper part of the Kahn's famous cylindrical staircase. 

Paul Mellon (1907-1999) studied at Cambridge University upon completion of his studies at Yale. While in school at Cambridge he developed a passion for the equestrian arts, mostly fox-hunting. But his love of British culture stemmed from his childhood summers in the English Countryside. As his interests expanded he began his acquisitions of rare British sporting books and manuscripts. Long before he purchased his first painting he was on his way to becoming a serious book collector. 

 The Yale Museum of British Art. John Constable's study of clouds. 

 The Yale Museum of British Art. John Constable's study of clouds. 

By the mid 1960s Mr. Mellon's collection of British Art was unparalleled - referred to as encyclopedic. In 1966 he donated his collection, including approximately 35,000 rare books and manuscripts. Furthermore he provided the funds to build a structure to house the works as well as an endowment to sustain the collection. But the donations were not just to Yale. He created the Paul Mellon Centre for Studies in British Art in London. Paul Mellon carried on his father's wishes to establish and provide an endowment for The National Gallery which was complete after Andrew Mellon's death. The senior Mellon believed that the United States deserved to have its own national gallery.

 The Yale Museum of British Art - Home to some of my favorite pieces. 

 The Yale Museum of British Art - Home to some of my favorite pieces. 

The artists represented at The Yale Museum of British Art include: John Constable, Joseph Mallord William Turner, Alfred William Hunt, James McNeill Whistler, Aubrey Vincent Beardsley, John Robert, Cozens, George Stubbs, Thomas Gainsborough, Joshua Reynolds, Richard Parkes Bonington, John Everett Millais, Wyndham Lewis, Sir Peter Paul Reubens. 

 The Yale Museum of British Art. John Constable

 The Yale Museum of British Art. John Constable

The Yale Center for British Art could easily be mistaken for the National Gallery in London - the collection is that impressive.

 The Yale Museum of British Art. Detail of frame and painting by John Constable.

 The Yale Museum of British Art. Detail of frame and painting by John Constable.

Louis Isadore Kahn (American, 1901–1974) is widely recognized as one of the most important and influential architects of the twentieth century. Kahn was responsible for the museum's architecture, as well as The Yale University Art Gallery (which is equally as impressive in its own right) which is just across the street. 

 The Yale Museum of British Art. The architecture is every bit as important and the many thousands of works of art.

 The Yale Museum of British Art. The architecture is every bit as important and the many thousands of works of art.

Kahn emigrated from Estonia to the United States with his family at age four, and became a naturalized citizen in 1914. A gifted artist, he forewent a merit scholarship to the Pennsylvania Academy of the Fine Arts to study architecture at the University of Pennsylvania. Trained in a rigorous Beaux-Arts tradition, with a heavy emphasis on drawing, Kahn earned his Bachelor of Architecture in 1924.

 The Yale Museum of British Art. The famous cylindrical staircase. (My mother searching for quarters so I can feed the meter!)

 The Yale Museum of British Art. The famous cylindrical staircase. (My mother searching for quarters so I can feed the meter!)

 The Yale Museum of British Art. Inside the concrete cylindrical stair case. In this case a square very much fits into a round peg! 

 The Yale Museum of British Art. Inside the concrete cylindrical stair case. In this case a square very much fits into a round peg! 

Kahn’s architecture is noted for its simple geometric forms and complex play between natural light and materials. Kahn’s first significant commission was the Yale University Art Gallery; completed in 1953, it was the first modernist structure at Yale and the first museum to incorporate retail shops into its design. The building was constructed of masonry, concrete, glass, and steel, and featured innovative engineering such as the tetrahedral ceiling and cylindrical staircase.

 The Yale Museum of British Art. The vast and impressive Library Court. 

 The Yale Museum of British Art. The vast and impressive Library Court. 

Across the street from the Yale University Art Gallery stands Kahn’s final building, the Yale Center for British Art, which was completed after his death and opened to the public in 1977. The Center’s geometric plan, intimate spaces, and skylit galleries provide a simple yet dignified environment for viewing works of art. While the exterior of matte steel and reflective glass confer a monumental presence in downtown New Haven, the Center’s galleries are comprised of a restrained palette of travertine, marble, white oak, and Belgian linen.

Five of Kahn’s buildings have received the prestigious AIA Twenty-five Year Award, which honors architectural landmarks of enduring significance completed within the previous twenty-five to thirty-five years that have withstood the test of time: the Yale University Art Gallery, the Salk Institute for Biological Studies, Phillips Exeter Academy Library, the Kimbell Art Museum, and the Yale Center for British Art.

 The Yale Museum of British Art. The Long Gallery, which like its name is indeed quite long!

 The Yale Museum of British Art. The Long Gallery, which like its name is indeed quite long!

The Long Gallery on the fourth floor was restored to the original conception of the space as a study gallery, as formulated by the Center’s founding director, Jules Prown, and as designed by architect Louis I. Kahn. The space comprises an elegant sweep of seven bays in which more than two hundred works represent ensembles of subjects including beaches and coastlines, the British Empire, the British theater, “chaos and conviviality,” families, gardens, “the horse and sporting art,” “into the woods,” marine painting, portraits of artists, species and specimen, war and the military, and “women of distinction.” The addition of a much-needed Collections Seminar Room at the end of the Long Gallery allows faculty and students to request an up-close examination of paintings, sculptures, prints, and drawings that are not currently on display. 

 The Yale Museum of British Art. Two sections of the Long Gallery.

 The Yale Museum of British Art. Two sections of the Long Gallery.

You'll notice as you peruse the Long Gallery, two things. First you'll notice the absence of information. There are no museum labels in this section. You can, however, log onto the museum's website and download all the information on to your iPhone or iPad. For those who don't have such, as my parents - or prefer not to, there are plenty of notebooks located on the generously provided seating, through which you can peruse and read up on your favorite artists or paintings in each section of the gallery. 

The other thing you'll notice is the unique placement of the paintings - in gallery form, but they extend all the way to the floor, something that is unheard of as most worry about people banging into and damaging the paintings. In the center, strategically placed on tables are assorted bronzes, busts and statues.  

 The Yale Museum of British Art.

 The Yale Museum of British Art.

In the gallery you'll noticed the paintings grouped by subject as opposed to style. Here works of all eras are grouped together.

 The Yale Museum of British Art. Sculpture by Thomas Moore.

 The Yale Museum of British Art. Sculpture by Thomas Moore.

The current exhibition, Modernism and Memory: Rhoda Pritzker and the Art of Collecting, further diversifies the museum's collections. 

Rhoda Pritzker (1914–2007)  born in Manchester, England, was a journalist and short story writer who immigrated to America in 1940. Marrying into a Chicago-based family of financiers and philanthropists, she became an important philanthropist in her own right, supporting education, the arts, and animal rights. As a collector, she never lost touch with her British roots, assembling a singular collection of twentieth-century paintings and sculpture, much of which has been given to the Yale Center for British Art by the Libra Foundation of the family of Susan and Nicholas Pritzker. Featuring over one hundred works of art, Modernism and Memory showcases Rhoda Pritzker’s intensely personal collection displayed alongside more than fifty related objects from the Center. This exhibition aims to offer a richer understanding of Pritzker’s collecting style while highlighting developments in the work of notable modern British artists.

 The Yale Museum of British Art. A glimpse into Modernism and Memory: Rhoda Pritzker and the Art of Collecting. 

 The Yale Museum of British Art. A glimpse into Modernism and Memory: Rhoda Pritzker and the Art of Collecting. 

Rhoda Pritzker collected most actively in the 1950s. Loyal to no school and admiring both abstraction and representation, she acquired important works by such artists as Prunella Clough, Alan Davie, Ivon Hitchens, William Turnbull, and Keith Vaughan. She also enjoyed a close friendship with the combative artist Michael Ayrton, resulting in the acquisition of a number of paintings, sculptures, prints, and drawings. Her collection of mostly small-scale sculptures included works by major artists such as Henry Moore and Barbara Hepworth but also early works by sculptors who would achieve international recognition, including Kenneth Armitage, Bernard Meadows, Reg Butler, Anthony Caro, and Eduardo Paolozzi.

The Yale Museum of British Art. A glimpse into Modernism and Memory: Rhoda Pritzker and the Art of Collecting. 

The Yale Museum of British Art. A glimpse into Modernism and Memory: Rhoda Pritzker and the Art of Collecting. 

This is a bit how I felt after viewing the museum! And I am quite sure I missed some, so I will have to return again shortly. With so much to offer, the Museum should be a must on everyone's list. There's plenty for everyone including children. For more information visit the museum's website. You'll no doubt be famished when you're done.

New Haven boasts some fabulous restaurants all within a very short walk from the two museums.

A few of my favorites are: (Click on names to be brought to the websites)
Harvest  
Heirloom 
The Union League Cafe 
Zinc 
Olea (Dinner only)
Pepe's (Pizza, super casual)